By Keith Budge, Headmaster, Bedales Schools
A while back and in another school, I taught a sixth form General Studies course that was based on the idea of nightmare worlds; central to it were dystopian novels. Unusually for such a course, the students seemed to have read most of the books on offer and when the course stopped after its one term’s duration, they seemed keen for more. 1984 (1948) and Brave New World (1932) were there of course, but it was Zamyatin’s We (1924), which arguably laid the imaginative foundation for 1984, that seemed to attract a good deal of the discussion. Shortly after its publication, I taught Margaret Attwood’s The Handmaid’s Tale (1985), which gripped its teenage readers with its nightmarish world and was an intriguing text to be talking with teenagers about in the ’80s. Over the holidays I returned to Attwood with her very readable The Heart Goes Last, as well as finding Charlie Brooker’s Black Mirror as my annual box set.
More’s Utopia (1516), the book that coined the adjectives, is now 500 years old; each Spring, our Block 5s who are taking the much admired Philosophy, Religion and Ethics (PRE) Bedales Assessed Course (BAC) become caught up in creating their ideal worlds; so the idea of Utopia is very much a feature of our shared cultural life. So, it is salutary – scary actually – to stop and think about how many dystopian echoes there are in the way that the world seems right now. Early Black Mirror, 15 Million Merits (2011) especially, where the game show and unintended consequences of an increasingly digitally based world combine to create a garish living nightmare, now seems spookily prescient.
Specific to the USA, Philip Roth’s The Plot Against America (2004) is thought-provoking. I’m told we should be reading Sinclair Lewis’s It Can’t Happen Here (1935).
But it is the masterly portrayal of totalitarian thought control in Orwell’s 1984 that seems to be capturing people’s interest. I suspect that there will also be many more teachers who are encouraging their students to carry their reading of Orwell on into the essays, in particular Politics and the English Language with its memorable concluding thought:
“Political language — and with variations this is true of all political parties, from Conservatives to Anarchists — is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”