By Keith Budge, Headmaster, Bedales Schools
Approaching mid-February, the academic year’s mid-point and that welcome time when the black dog that scampers in front of you is visible as you stride out into the dawn light before breakfast.
This week leading up to half-term has our spirited Valentine’s Ball as a highlight for sixth formers. Invitations to the V Ball pop up, sometimes in early morning Notices, sometimes in German, sometimes dramatically choreographed. Meanwhile our Block 3s are musing on the grotesqueness of the industrialised mass killing as they survey the Flanders battlefields. Alongside all of this our 6.2 theatre studies students produce their devised pieces – 30 minute creations of their imaginations, influenced by the practitioners they study and honed into dramatic form with acute negotiation and teamwork amongst their teams of five or six.
Over the years, I have seen the most gorgeous medleys of absurdism, tragedy, kitchen sink realism, mime, comical-fantastical – you name it, this is the theatre of the possible. Here’s the recipe: take human minds at their most fervently creative; provide stimulus (a polaroid picture this year); encircle with sufficient expert teacher structure; and finally, give space, light, sound and audience. Result? Pieces that make you think – both about how we live but also about what can happen dramatically when ingenuity, verve and skill collide. Over recent years I have seen these plays enacted in live graves dug by the theatre; I have seen the most stinging dramatising of how it feels to be objectified as a young female; and this year’s trio was as powerful and expert as I can remember.
In their own way, plays like these are part of something that all good schools need to be doing constantly, alongside the necessary granular work of academic pursuit: exploring what it is to be human.
What better mid-week treat then to have a Jaw given by Gary Wade, a man who (lucky fellow) knew Seamus Heaney personally. It is a masterly account – in tender admiration – of (arguably) the greatest poet of the second half of the 20th century writing in English.
A lover of Heaney myself, I find myself rootling amongst his poems late at night after the Jaw and a subsequent meeting. I am taken back to some of the classes that I taught Heaney to a long way back – Death of a Naturalist, North and The Haw Lantern. But there is so much more. Gary concluded with his favourite Heaney poem, Postscript. Its final lines describe so beautifully what human insight through art can do (“catch the heart off guard and blow it open”). But, as the days lengthen and we need to at least nod to that V day, here’s a poem that is its own distinctive love song – to a person, place and creature:
When you plunged
The light of Tuscany wavered
And swung through the pool
From top to bottom.
I loved your wet head and smashing crawl,
Your fine swimmer’s back and shoulders
Surfacing and surfacing again
This year and every year since.
I sat dry-throated on the warm stones.
You were beyond me.
The mellowed clarities, the grape-deep air
Thinned and disappointed.
Thank God for the slow loadening,
When I hold you now
We are close and deep
As the atmosphere on water.
My two hands are plumbed water.
You are my palpable, lithe
Otter of memory
In the pool of the moment,
Turning to swim on your back,
Each silent, thigh-shaking kick
Re-tilting the light,
Heaving the cool at your neck.
And suddenly you’re out,
Back again, intent as ever,
Heavy and frisky in your freshened pelt,
Printing the stones.
– Seamus Heaney