Evening at Chalk Farm

RIBA Twitter crop

By Keith Budge, Headmaster, Bedales Schools

Last time I was at the Round House, I was watching Bob Hoskins in all the pomp of his stage villainy plot the downfall of the Duchess of Malfi.  Tuesday evening and I am sitting at a fancy table, well dined, in a Round House adapted for the RIBA awards, surrounded by architects, listening to Louise Minchin describe the four buildings that are shortlisted for Client of the Year: Bedales School Art & Design Building being one of them.  The judge opens his envelope and – wow! – Yes, we have won.

Up onto the stage we go for the presentation of the award and my brief, sob-free, acceptance speech.  Big thanks are due to Tom Jarman of Feilden Clegg Bradley Studios who nominated us for the award and to the home team: Matthew Rice whose vision for the building informed the project;  our bursar, Richard Lushington, who held all the different dimensions together; Nigel Hartley, the project manager; and the heads of Art and Design, Simon Sharp and Ben Shaw.

Cameras flash etc and we troop off to leave the stage free for the Stirling Prize – Hastings Pier, which is firmly on my list of places to visit.

The RIBA Client of the Year has been awarded since 1998 and we are the first school to win the prize – you can see the previous winners here.

So, this is good for Bedales, for the independent sector and for schools in general.  Building well, works – great design and a great process is often no more expensive than the grimly utilitarian. And you have a building that will inspire for a century or so.

For me, there are three major lessons that come from the Client of the Year accolade.

The first is the power of ethos.  The RIBA booklet describes it as “a building after a philosophy of being”. In the same way that we have tried to ensure that the ethos permeates the curriculum, so the best of our buildings embody the ethos.  Appreciation of the beautiful, making and doing and the influence of the school environment are all key elements of that ethos which the building reflects.

The second is the power of consultation: students, staff, parents, OBs, the local community were all consulted.  The initial plans were rejected – “too big, too dark, too close to Steephurst” – and the revised ones then consulted on further.

Finally, it is the strength of collaboration. RIBA described is as “co-authorship in the truest sense”.  Architects and school understood, liked and respected each other, with a brilliant result.  Hoorah!

Psychogeographical ramble

By Keith Budge, Headmaster, Bedales Schools

Obscurely wandering in an early cloudy dawn after freshening night’s rain, I am thinking about psychogeography. Curious, yes.

Why? A mélange of reasons: here are five. We have a geography conference today and there will, I am sure, be talk of it there.  Local poet (and poet’s poet) Edward Thomas, on our minds in the 100th year of his death,  played his part in the development of psychogeography, being a rambler-thinker who was intrigued by ancient paths and therefore an inspiration for Robert Macfarlane (The Old Ways: A Journey on Foot).  A big Macfarlane fan, I have even been inspired to read his muse, Nan Shepherd, and walk in her steps imaginatively over the Cairngorms.  More locally, I have been struck too by the artwork that children in Dunhurst and Dunannie have produced, inspired by Thomas’ poetry.  Thanks to a kind birthday gift, I am reading two books that have a psychogeographical flavour, being based on the idea of the flâneur and the flâneuse, and such those moody trampers of urban landscapes as Baudelaire and Jean Rhys.  And finally, summer’s lease invites plenty of walking in our dreamy nook of Hampshire– mainly early morning and late evening.

Bringing it all closer to home and to the psychology of space, my driftings around our outdoor spaces remind me how influential our students and other resident mammals have been on our landscape.  Yes, so much of this place’s nature was set by its early agricultural life, whether that is the division between its fields or the quasi-agricultural establishment of the Orchard at the school’s heart; but there is a more recent series of shape-shiftings.

My dawn walk along what I think is a familiar path suddenly has me pulling up sharp, aided for once by a cowering black dog whose instincts are better tuned: black mutt the saves day, I think, as I pull up sharp to avoid walking into an electric fence: pigs!  Of course, the pigs have been moved – well, their location has been moved; they are distinctly unmoved, I note, observing the gentle rise and fall of a sleeping flitch of sandy and black, cosy in its sty.  Pigs clear land of scrub, so their progress around the school’s messier bits of woodland is making those places easier to walk through and more pleasant to be in.  We continue down the hill, admiring the view we have through the trees.

Our outdoors affects our indoors: bringing the beauty of the outdoors inside was one of the aspirations of the Orchard building and, more recently, the Art & Design one.  I am glad of that as I sit in classes and meetings in rooms where the benefit of outside combines with that of being inside.

This is all in advance of our Parents’ Day this weekend when members of the community – future, present and past – will be celebrating the place we share and which has or will shape us.

Although the Orchard will exert its usual gravitational pull, I trust there will be plenty of what (brace yourself) those psychogeographers called dérive.  This means (more or less) drifting, but like many things, sounds better in French.

 

Student involvement in new Art & Design building

Much to be excited about here over recent days – not only a new BDaily, an enthralling Civics talk by multi-award winning OB author Kate Summerscale and last night’s debate at Jaw on whether private education should be abolished (defeated, but valiantly proposed by Block 4, Cameron C and Block 5 Juliet P) – but also the appearance in Reception of six A1 boards from six architectural practices with their initial design concepts for a new Art & Design building. Student involvement in how Bedales looks and feels has a long and good pedigree here. This is not only evident in student hands-on involvement in their work, for example building barns, but also in student involvement in our major building projects, such as the Orchard Building. With the new Art & Design building, students are being invited to take time not only to look at the designs but to read the boards carefully and to write down their observations about how well they think the individual practices understand the school and the particular needs of art and design students. There has already been some student feedback elicited through all the architects being given their tour by a pair of art and design students. There will be more opportunities for all members of the school community to be involved when the chosen architect produces a design. But, at this first stage, the ideas need to be harvested before the group (chaired by Matthew Rice) that selects the architect meets next Thursday. Heads of Art and Design, Simon Sharp and Ben Shaw, will be bringing groups of students from their classes and talking them through the process that the architects are engaged with – each board is a lesson in itself. Meantime, I am working with Simon and Ben on the full brief, which we expect to give to the winning architect next week.

By Keith Budge, Headmaster, Bedales Schools


Bedales School is one of the UK’s top independent private co-education boarding schools. Bedales comprises three schools situated in Steep, near Petersfield, Hampshire: Dunannie (ages 3–8), Dunhurst (ages 8–13) and Bedales itself (ages 13–18). Established in 1893 Bedales School puts emphasis on the Arts, Sciences, voluntary service, pastoral care, and listening to students’ views. Bedales is acclaimed for its drama, theatre, art and music. The Headmaster is Keith Budge.

Students quiz the governors

Wednesday night is the annual Governors‘ Question Time at Bedales – a unique event in UK independent schools (to my knowledge, at least) when the senior school is able to quiz a panel of three governors, in this case Seona Ford (curriculum advisor, OB and on the Education Committee), Daniel Alexander (OB and intellectual property lawyer) and Nick Vetch (current parent, businessman and chair of the Finance and General Purposes Committee). Questions cover an impressive range and are generally pitched at the right level – i.e. to do with strategic decisions and broad policy, both educationally and on finance. It is good to hear clear assurances being given on consultation with all stakeholders on the new Art & Design Building. We conclude on the sometimes vexed matter of the hurdle into the sixth form and whether in certain cases deserving students haven’t been allowed through when they should – something I will want to discuss with School Council as a follow on. The evening ends with the three governors having time with School Council afterwards, so other issues will also come to light via that.

By Keith Budge, Headmaster, Bedales Schools


Bedales School is one of the UK’s top independent private co-education boarding schools. Bedales comprises three schools situated in Steep, near Petersfield, Hampshire: Dunannie (ages 3–8), Dunhurst (ages 8–13) and Bedales itself (ages 13–18). Established in 1893 Bedales School puts emphasis on the Arts, Sciences, voluntary service, pastoral care, and listening to students’ views. Bedales is acclaimed for its drama, theatre, art and music. The Headmaster is Keith Budge.