By Blossom Gottlieb, Old Bedalian 2019
Perhaps it is the emotive true story of Mexican nun Juana de la Cruz that created the atmosphere of concentration in the Theatre during The Heresy of Love’s three-night run in December, athough I am inclined to give credit to the incredible cast and crew for really bringing this script to life. Smooth, practically choreographed transitions of the set whisked the audience from scene to scene, helped by the fabulous ensemble and their melodic singing. A gate was lowered from the ceiling to immediately capture the convent. This minimal use of set had maximum versatility, and therefore impact.
Notable performances from Kit Mayhook-Walker as Father Antonio and Oscar Clark as the archbishop at the start pulled the audience into the play ‘in medias res’ and remained strong, whilst Will Needs owned the stage with his excellently articulated monologues as Santa Cruz. Other beautiful examples of characterisation include Sienna Mills-Jung and Amber Pearson, who took on the roles of Sebastiana and Marguerita respectively, with Gus McQuillin as Viceroy and Bel de Gier giving a heart-warming performance as Vicereine.