Turning in ‘Othello’

By David Anson, Head of English

The first recorded performance of Shakespeare’s play Othello was on Hallowmas Day, November 1, 1604. James I had been king for just over 18 months and he had very recently overseen the Treaty of London which concluded 19 years of conflict between England and Spain. It was a time of great change, a time of unification and much longed for peace.

On Wednesday, Bedales English Literature A Level students were joined on Microsoft Teams by fellow Bohunt English Literature students to take part in a short lecture programme organised by myself and Deana Buchan, Head of English at Bohunt. We were joined remotely by Dr Kath Diamond, a Renaissance specialist who lectures at Goldsmith’s College and Queen Mary and Westfield, and who delivered a fascinating lecture on ‘Turning in Othello’.

Amongst other things, Kath’s lecture recognises the significance of this period of political and cultural change in Jacobean London and the bearing it has upon the action and motifs to be found within a play which presents a ‘spiralling vortex of change’. The play opens in the turmoil and business of a bustling Venice, centre of trade and commerce and the seat of much public debate and discussion about the ongoing war with the Ottoman Empire in Cyprus. It narrows to the defeat of the Turkish army before narrowing again to the private matters of Othello’s marriage to Desdemona and then ends with yet a further narrowing to the marital bed; site of Desdemona and Othello’s tragic end and loaded with much dramatic symbolism. The play is a play of change and a play of turmoil that leaves both its contemporary and 21st century audience somewhat unsettled (though for different reasons) and yearning for the kind of peace and order that a king like James, Shakespeare’s patron, ought to bring at the start of his reign.

The students then explored the way the masculine and the feminine may be considered in the play through shorter presentations led by myself and Deana; a useful foundation for further classroom discussion. At a time when we can’t take our students to the theatre or to lecture programmes, this was a superb opportunity for both 6.1 and 6.2 to revisit their study of Othello and it ushers in the start of more exciting joint projects between Bohunt and Bedales that Deana and I hope to be able to realise in face to face events next year.

Lectures on Othello, Ibsen and women in 19th century literature

By Thomasina Rowntree, 6.2 and English Don

Last week, the Sixth Form English Literature began their week with a trip to London to attend a series of lectures given on Shakespeare’s Othello. It was a brilliant opportunity which really enhanced our understanding of the play.

The first lecture was given by Richard Marriott on Dramatic Structure and the tragic pattern of Othello. He also spoke about the idea of ‘anthropological dualism’ which is transparent throughout the play, as characters are challenged by certain aspects of their personalities.

The second lecture focused on the importance of storytelling. This provided helpful context, as Dr Mason talked about Cinthio’s play, The Story of Disdemona of Venice and the Moorish Captain, which was Shakespeare’s only source material for Othello. She highlighted the changes that Shakespeare made and the significance these had, especially presentation of female characters.

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