By Hayley Cole, Head of Drama and Liz Wood, Head of Dance
Despite another challenging COVID year, the Dance and Drama department have had another incredibly busy and successful year and we wanted to celebrate those successes with you.
All components of the Bedales Assessed Course (BAC) and A Level courses were completed, including practical units by all students on the courses. Schemes of work were adapted and students made video projects as practical assessments in lockdown, and when we have been in school, performance assessments have been recorded as evidence and shared digitally rather than visited by external examiners, or in some cases, rather than being viewed and appreciated by live audiences. This really allowed the students to gain skills in areas that would not have looked at previously.
We have still put on four co-curricular productions, adhering to restrictions and delivered in different mediums – whether to a closed audience live, live-streamed and shared afterwards, or shared as an entirely digital production. Our peripatetic lessons have continued online and live, and exams have been taken. Our enrichment programmes have culminated in performances, with the students concluding the hard work they have put into it after pausing projects during school closure.
We have all learned new skills and adapted our skillset to navigate these uncertain times. Yet we have grown from it, consistently certain in our determination to stay creatively challenged and celebrating the area we love – the arts.
The Autumn Term included BAC Dance and Drama assessments. The Block 4 and 5 dramatists performed devised work influenced by Greek theatre and practitioners. The dancers worked on live performances in the style of a multitude of practitioners, from August Bournonville to Alvin Ailey. 6.2 actors performed their re-enactments of classic texts in the style of Brecht, Ad Infinitum and Forced Entertainment. The Autumn Production was Constellations by Nick Payne, a beautiful two-hander about a relationship, love and quantum physics. The artistic interpretation of this play was created due to COVID, and yet practically and artistically was so much more exciting because of those creative choices. Block 5 and 6.2 actors appeared in multi-roles, in duplicate casts, complimented by 6.1 dancers who personified the themes and emotions of the piece, through their use of movement. It was stunning and the chemistry of the actors was incredible, despite the metre plus distance between them at all times!
The Spring Term was a digital one. BAC Drama students performed their stories in The Terrible Infants as recordings, editing and adding live music in the style of Kneehigh. At home, the Block 4 dancers continued to work on the sofa dance, choreographing in their own homes ready to bring it alive, and the Block 5 dancers rehearsed group choreographies together online, for each of them to create a dance-film based on an array of different stimuli. The dancers also took part in online external practitioner workshops to keep them moving.
The 6.2s acted their naturalist Rotterdam as a screenplay and the Spring Production of Machinal was made in to a film. The students were sent green screens, rehearsals took place on Microsoft Teams, the crew researched costume, hair and make-up and the actors sourced it at home, filmed themselves and the footage was spliced together and edited to make the final piece. It was released episode by episode in half term but if you did not get a chance to watch it, click here to enjoy it, episode by episode, or all at once if you prefer! The playwriting enrichment writers also completed the 30-minute original scripts which were entered into the National Theatre’s New Views competition.
The Summer Term saw us back at school collaborating together and attending the theatre once more. Bedales Dance Performs saw 21 of the dance pieces that the students had been working on over the year. They included performances from all year groups and including one of the modern peripatetic lessons. View and buy photos from Bedales Dance Performs here. The students were incredibly excited to get back into the Theatre and perform their work, and even though there was no physical contact within the choreographies, this did not stop them performing with passion, focus and commitment.
The A Level final evidence was collected and recorded. 6.2 dramatists created two incredible devised performances and performed a Berkoff piece in the studio and a Footsbarn site specific promenade performance. The two student directors finally picked their projects back up again and Nay Murphy’s Definition of Charisma (which was longlisted in the National Theatre’s New Views competition) and August Janklow’s True West were both enjoyed by closed audiences in the Drama Studio. The finale of the year, including a cast and crew of over 60, was Chariots of Fire, full of actors and dancers, which was incredibly well attended and well received at the end of term.
A huge thank you from us to all the students and staff who have gone above and beyond to make all of the above possible and professional. It is your tenacity and talent that makes us so proud of the Dance and Drama department, especially in the face of adversity and we look forward to a new year, with all the new skills and insight we have gained.