My Block 3 students have been practising writing poems using extended metaphors.
In class, we read The Beach by William Hart-Smith, Winter Morning by Roger McGough and In a Station of the Metro by Ezra Pound to inspire us, observing that none of the poems used full rhyme or a particular rhythm; instead, they’re constructed using one long sentence.
Students then worked together in small teams groups, looking at a range of images – a skiing scene, traffic on a motorway, a mountain top and a red London bus – and coming up with a number of metaphors and similes to describe aspects of the picture (mountain tops as “Stegosaurus spines” in the skiing scene, for example).
Next, they were asked to turn their collective notes into a descriptive sentence that uses at least one metaphor, then turn that into a poem.
This week, my Block 4 English set were given the chance to debate a subject close to the heart of every member of the school community: homework.
Having learnt about persuasive devices and studied speeches from speakers as diverse as Donald Trump and Greta Thunberg this half term, students have made their own speeches to their class on a wide and eye-opening range of topics. Kipp Bryan had researched fast fashion and advised us all to buy more from vintage clothes shops; Theo argued for a ‘back to basics’ approach to paying footballers; Stella Miller gave an illuminating account of what it has been like to be without a smart phone for the last month and how liberating it has been; and Masha Kulakova argued for more languages to be taught to primary school children. Having practised their skills as solo performers, the class moved on to a more tricky way to persuade an audience: team debates.
On 11 October, Block 3 students were invited to attend and participate in a poetry event in the Dining Hall. Welcomed by members of the English department dressed in sheepskins and cloaks, and surrounded by candles, students and staff stood up to perform a poem they had learnt by heart in front of the roaring fire. Some took on Shakespeare and others invited the audience to join them in a rendition of a nursery rhyme.
Lilibet Viner gave a dramatic performance of Helena’s speech from A Midsummer Night’s Dream; Sam Coleman told us what it was like to be a cupcake cooking in the oven; Clara Gardiner-Cox gave a moving rendition of Mary Elizabeth Frye’s Do Not Stand at My Grave and Weep; and Miranda Robertson sang a luxurious yet spine-tingling version of Bohemian Rhapsody.
Last Wednesday, 14 students who attended the Arvon Creative Writing course in Shopshire over the Easter holidays attended an afternoon writing workshop. We held the workshop partly so they could collect The Lighthouse (the anthology of their writing from the course), but also to celebrate seeing their work in print and practice writing techniques they learnt on the course.
To get themselves in the writing headspace, they began by carrying out a free writing task to some serious music, which quickly led to much fast scribbling! The students then attempted some ‘Golden Shovels’, a technique devised by the American poet Terrance Hayes in honour of his fellow compatriot Gwendolyn Brooks.
The last words of each line in a Golden Shovel poem are, in order, words from a line or lines taken often from another poem; the original Golden Shovel is The Pool Players / Seven at the Golden Shovel by Brooks. The results of this technique can be quite different in subject, tone and texture from the original poem, depending on the ingenuity and imagination of the poet composing one!
In honour of the incoming Poet Laureate, Simon Armitage – who visited Bedales last September – students chose lines from his poems Poem and I Am Very Bothered, and had a lot of fun sharing the new poems that evolved from his lines. The intention is to keep the writing momentum going with monthly writing reunions next year and include new work in The Poet’s Stone.